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The act of walking situates you between two locations; your destination and where you departed from. You belong to neither place while suspended in motion. By putting one foot in front of the other you exist in a space that moves with you through the landscape. Your mind joins your wandering feet as though it were powered by the momentum of your swinging legs. And while you belong to nowhere, the detachment from the familiar allows you space to think.
The act of walking situates you between two locations; your destination and where you departed from. You belong to neither place while suspended in motion. By putting one foot in front of the other you exist in a space that moves with you through the landscape. Your mind joins your wandering feet as though it were powered by the momentum of your swinging legs. And while you belong to nowhere, the detachment from the familiar allows you space to think.
Slow Harm is a handmade book that documents a walk made between two such places. The images are thoughtful encounters and inquisitive observations that invoke the rhythm of walking 100 miles through the English countryside. This is a contemplative series that considers the materiality of process and echoes ideas surrounding practice, meditation and self destruction.
Slow Harm is a handmade book that documents a walk made between two such places. The images are thoughtful encounters and inquisitive observations that invoke the rhythm of walking 100 miles through the English countryside. This is a contemplative series that considers the materiality of process and echoes ideas surrounding practice, meditation and self destruction.
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